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Various - Digital Test - 106 Plages De Demonstration Et Tests Numeriques / 106 Digital Tests & Demonstration Tracks album mp3

Various - Digital Test - 106 Plages De Demonstration Et Tests Numeriques / 106 Digital Tests & Demonstration Tracks album mp3

  • Performer: Various
  • Genre: Jazz / Audio files / Classical
  • Title: Digital Test - 106 Plages De Demonstration Et Tests Numeriques / 106 Digital Tests & Demonstration Tracks
  • Released: 1988
  • Style: Technical, Classical
  • MP3 version size: 1529 mb
  • FLAC version size: 1842 mb
  • Other: MOD DMF MP4 MMF MP2 AU AUD
  • Rating: 4.7
  • Votes: 504

Description

Tests unisons et demonstration firm pin setting.

Série De Tests 2, Tests Series 2. Tests Combinés: Variations de Vitesse - Variations D'écartement de Piste. Combinated Tests: Variations Of Velocity - Variations Of Track Pitch. Capacité Du Lecteur Laser à Détecter Le Signal Numérique (Niveau de Détection Hf) - CD Player Ability To Detect The Digital Signal (Hf Detection Level). Pour Explications, Voir Livret Page 36, For Explanations, See Booklet Page 60). 2-19.

Music Tests and Demonstrations Tracks: Hora de la Granicesti. 3. Music Tests and Demonstrations Tracks: Dear Old Dixie. feat: Jazz Grass Ensemble. 4. Music Tests and Demonstrations Tracks: Jeux Interdits. 5. Music Tests and Demonstrations Tracks: 2ème Concerto Pour Trompette. 6. Music Tests and Demonstrations Tracks: "O Dulcis Amor".

Practice Test Plus 2) (2015) Karakamia wildlife sanctuary (Practice Test Plus 2) (2015) Old Skills: New Products (Practice Test Plus 2) (2015) Trees for life (Practice Tests Plus 1) Polar Adventurer (Practice Tests Plus 1) Singing for a music Life (Practice Tests Plus 1) Whales (Practice Tests Plus 1) Music (Practice Tests Plus 1) Teddy Bears (Practice Tests Plus 1) The Flying aunties ! test!108! !

Demonstration tests are currently underway at the 30MWth CIUDEN pilot CFB plant which will provide a full experimental CCS platform for the demonstration and validation of flexible air/oxy-fuel CFB combustion (Hack et a. 2012b). From: Fluidized Bed Technologies for Near-Zero Emission Combustion and Gasification, 2013. 2. Kemper IGCC demonstration period. The demonstration test period begins at the commercial operation date (which is currently anticipated in the fourth quarter of 2016) and will continue for four years. The objective of the tests during the demonstration period is to gain a complete understanding of the process in general and core components of the technology in particular. This understanding will be helpful to speed up the commercialization of the technology in the marketplace.

Queremos saber cuál es la mamá más linda. Vota y participa por una de las 3 canastas de productos Cruz Verde que estaremos sorteando hoy hasta las 19:00 hrs. See All. Posts. September 27, 2017 ·.

Tracklist: - 01. Carmen Gomes - Let's Go Get Stoned 02. Blue Tab - Traditional 03. Beets Brothers - Body And Soul 04. The Dream Machine - Traditional 05. L'imprevu Saxofoonkwartet - Pop Enre 06. Tony Roel Trio - Tango Jalousie 07.

DTS: The Ultimate Digital Sound Experience. Ever since the phonograph’s invention, the relationship between man with the recording and playing of sounds has been in constant evolution. Nevertheless, it’s been since last century and until today (the digital era of audio recordings) that recording technology and sound playing have had the most dramatic and frequent series of changes in history

Test vs Demonstration - What's the difference? test demonstration. As nouns the difference between test and demonstration. is that test is while demonstration is demonstration (act of showing and explaining). Other Comparisons: What's the difference? Demonstrationmarch vs Protest. author Colin Allen, title Do I See What You See?, volume 100, issue 2, page 168, magazine (American Scientist) citation, passage Numerous experimental tests and other observations have been offered in favor of animal mind reading, and although many scientists are skeptical, others assert that humans are not the only species capable of representing what others do and don’t perceive and know.

Clearblue® Digital Pregnancy Test with Smart Countdown is more than 99% accurate in laboratory tests, when used from the day you expect your period to start. When can I take Clearblue Digital Pregnancy Test with Smart Countdown? Clearblue® Digital Pregnancy Test with Smart Countdown can be used as early as 4 days before you expect your period (which is 5 days sooner than your missed period).

Tracklist

CD N°1 - Durée Totale / Total Time: 73'47"
Plages de Tests Musicaux Et de Démonstration / Musical Tests And Demonstration Tracks
1-1 Feux D'artifice / Fireworks 3:56
1-2 Hora de la Granicesti (Trad. Roumain / Rumanian Trad.) - Paul Stinga Et Ses Musiciens / And His Orchestra 3:27
1-3 Dear Old Dixie (Trad. Américain / American Trad.) - Jazz Grass Ensemble 3:05
1-4 Jeux interdits (Anon.) - Arnaud Dumond, guitare/guitar 2:12
1-5 2ème Concerto Pour Trompette / 2nd Trumpet Concerto (André Jolivet, 1905-1974): 3ème Mouvement (Giocoso) / 3rd Movement (Giocoso) - Orchestre Philharmonique Des Pays de Loire - Dir. / Cond. Marc Soustrot - Bernard Soustrot, Trompette / Trumpet 3:48
1-6 "O Dulcís Amor" (André Campra, 1660-1744) - Jacqueline Nicolas, Soprano - Anne-Marie Lasla, Basse de Viole / Bassviol - William Christie, Orgue Continuo / Continuo Organ 3:17
1-7 Ballet Des Coqs (Michael Praetorius, 1571 -1621 ) - Musica Antiqua Ensemble 1:41
1-8 Bransle Doubble (Michael Praetorius, 1571 -1621 ) - Musica Antiqua Ensemble 1:01
1-9a Concerto "La Notte" en sol mineur / in G Minor op. X n°2 (Antonio Vivaldi, 1678-1741), extraits / excerpts - Concerto Köln Ensemble - Christian Mendoze, flûte à bec / recorder - Presto Fantasmi 0:49
1-9b Concerto "La Notte" en sol mineur / in G Minor op. X n°2 (Antonio Vivaldi, 1678-1741), extraits / excerpts - Concerto Köln Ensemble - Christian Mendoze, flûte à bec / recorder - Largo 0:51
1-9c Concerto "La Notte" en sol mineur / in G Minor op. X n°2 (Antonio Vivaldi, 1678-1741), extraits / excerpts - Concerto Köln Ensemble - Christian Mendoze, flûte à bec / recorder - Presto 1:00
1-10 Scheherazade (Nikolai Rimsky-Korsakov, 1844-1908) - 4ème Mouvement / 4th Movement (extraits/excerpts) - Orchestre Philharmonique Des Pays de Loire, Dir. / Cond. Marc Soustrot 7:03
1-11 Almande (V. Soldt) - André Isoir, Orgues de Saint-Guilhem-le-Désert / Organ Of Saint-Guilhem-le-Désert 2:01
1-12 1 ère Symphonie pour orgue / 1 st Organ Symphony (Louis Vierne, 1870-1937) extraits / excerpts: Andante (fin) et Final enchaînés / Andante (end) followed by Final - François-Henri Houbart, Grandes Orgues de la Madeleine / Madeleine Church Organ, Paris 6:46
Plages de Tests / Tests Tracks
Niveau Maximum de Gravure / Maximum Cutting Level
1-13 1 KHz 0 dB sans pré-accentuation / emphasis off - G+D / L+R 0:30
Repérage Gauche/Droite Et Diaphonie / Left/Right Location And Channel Separation
1-14 1 Khz 0 dB Sans Pré-accentuation/emphasis Off Gauche/Left 0:30
1-15 1 Khz 0 dB Sans Pré-accentuation/emphasis Off Droite/Right 0:30
Bande Passante / Frequency Response
1-16 20 Hz /20 KHz, 0 db Sans Pré-accentuation/emphasis Off G+D / L+R 1:00
1-17 20 Hz / 20 kHz, -20 dB Sans Pré-accentuation/emphasis Off G+D / L+R 1:00
Distorsion Harmonique / Harmonic Distortion (Plages Sans Pré-accentuation / Tracks With Emphasis Off. G+D / L+R)
1-18 1 kHz, 0 dB 0:15
1-19 20 Hz, 0 dB 0:30
1-20 50 Hz, 0 dB 0:30
1-21 100 Hz, 0 dB 0:30
1-22 200 Hz, 0 dB 0:30
1-23 500 Hz, 0 dB 0:30
1-24 1 kHz, 0 dB 0:30
1-25 2 kHz, 0 dB 0:30
1-26 5 kHz, 0 dB 0:30
1-27 10 kHz, 0 dB 0:30
1-28 12 kHz, 0 dB 0:30
1-29 15 kHz, 0 dB 0:30
1-30 18 kHz, 0 dB 0:30
1-31 20 kHz, 0 dB 0:30
1-32 1 kHz, 0 dB 0:15
Rapport Signal Bruit / Signal-to-Noise Ratio
1-33 Niveau Numérique Zéro / Zero Digital Level ("Zero Infini" / "Infinite Zero") Sans Pré-accentuation/emphasis Off 0:30
1-34 Niveau Numérique Zéro / Zero Digital Level ("Zero Infini" / "Infinite Zero") Avec Pré-accentuation/emphasis On 0:30
Contrôle Du Circuit Analogique de Désaccentuation / Analogue Deemphasis Circuit Control
1-35 Signal de Calibrage de Niveau / Calibration Reference Tone - 1 kHz 0 dB Sans Pré-accentuation/emphasis Off 0:15
1-36 Contrôle Du Circuit Analogique de Désaccentuation - 15+50 µs 20 / 20000 Hz 0 dB Avec Pré-accentuation/emphasis On 1:00
Influence Du Circuit Analogique de Désaccentuation Sur Le Son / Analogue Desemphasis Circuit Audible Incidence
(Bedrich Smetana: La Moldau/The Moldau (extraits/excerpts); Slovak Philharmonie Orchestra, Dir./cond.: Kurt Redel (GM087011) ® Pierre Verany
1-37 Musique Enregistrée Avec Pré-accentuation / Music Recorded With Pre-emphasis On 1:11
1-38 Musique Enregistrée Sans Pré-accentuation / Music Recorded With Pre-emphasis Off 1:11
Réponse En Transitoires / Transient Signals Response
1-39 Signaux carrés / Square waves -6 dB, 400Hz sans pré-accentuation/emphasis off 0:30
1-40 Signaux carrés / Square waves -6 dB, 1000Hz sans pré-accentuation/emphasis off 0:30
1-41 Trains d'ondes / Tonebursts 400Hz, -6dB sans pré-accentuation/emphasis off 0:30
1-42 Trains d'ondes / Tonebursts 4 KHz, -6 dB sans pré-accentuation/emphasis off 0:30
Différences Audibles De Quantification / Audible Differences In Quantization
(Anton Dvorak: Symphonie N°9 "Du Nouveau Monde"/ "From The New World" (extraits/excerpts). Slovak Philharmonie Orchestra, Dir./cond.: Kurt Redel (GM087011) ® Pierre Verany
1-43 Musique Codée Sur 16 Bits / 16 Bits Encoded Music Sans Pré-accentuation/emphasis Off 0:45
1-44 Musique Codée Sur 15 Bits / 15 Bits Encoded Music Sans Pré-accentuation / Emphasis Off 0:45
1-45 Musique Codée Sur 14 Bits / 14 Bits Encoded Music Sans Pré-accentuation/emphasis Off 0:45
1-46 Musique Codée Sur 8 Bits / 8 Bits Encoded Music Sans Pré-accentuation/emphasis Off 0:45
Intermodulation Par Diaphonie / Intermodulation By Crosstalk
1-47 1000 Hz Gauche/left, 5khz, Droite/right, 0 dB Sans Pré-accentuation/emphasis Off 0:30
1-48 5 kHz Gauche/left, 1000hz Droite/right, 0 dB Sans Pré-accentuation/emphasis Of 0:30
Distorsion D'Intermodulation / Intermodulation Distortion
1-49 50 Hz + 7 kHz, G+D / L+R Sans Pré-accentuation / Emphasis Off 0:30
1-50 400 Hz + 7 kHz, G+D / L+R Sans Pré-accentuation/emphasis Off 0:30
1-51 19 kHz / 20 kHz, G+D / L+R Sans Pré-accentuation/emphasis Off 0:30
Effets de Surcharge Des Convertisseurs Numérique-analogique / Digital-analogue Converter Overload Effect
(Bedrich Smetana: La Moldau / The Moldau (extraits/excerpts); Slovak Philharmonic Orchestra, Dir./cond.: Kurt Redel (GM087011) ® Pierre Verany
1-52 1 kHz 0 dB, G+D / L+R Sans Pré-accentuation/emphasis Off 0:30
1-53 1 kHz +3dB, G+D / L+R Sans Pré-accentuation/emphasis Off 0:30
1-54 1 kHz +6dB, G+D / L+R Sans Pré-accentuation/emphasis Off 0:30
1-55 Musique Niveau Nominal / Music At A Nominal Level Sans Pré-accentuation/emphasis Off 2:06
1-56 Musique Avec 9 dB de Surcharge / Music With A 9 Db Overload Sans Pré-accentuation/emphasis Off 2:06
CD N°2 - Durée Totale / Total Time: 50'00" (All These Tracks Are 45 Seconds Long)
Série De Tests 1 / Tests Series # 1 - Différences de Vitesse Linéaire de Gravure Du CD / Variations Of Linear Cutting Velocity Of The CD
(Pour Explications, Voir Livret Page 32 / For Explanations, See Booklet Page 57)
2-1 1,40 m/s 0:45
2-2 1,20 m/s 0:45
2-3 1,25 m/s 0:45
2-4 1,30 m/s 0:45
2-5 1,35 m/s 0:45
2-6 1,40 m/s 0:45
Série De Tests 2 / Tests Series # 2
Tests Combinés: Variations de Vitesse - Variations D'écartement de Piste. Combinated Tests: Variations Of Velocity - Variations Of Track Pitch
(Pour Explications, Voir Livret Page 33 / For Explanations, See Booklet Page 58)
2-7 1,4 m/s & 1,5 µm 0:45
2-8 1,4 m/s & 1,7 µm 0:45
2-9 Variation continue de 1,4 m/s à 1,2 m/s / Continuous variation from 1,4 m/s to 1,2 m/s. Écartement entre pistes / Track pitch: 1,7 µm 0:45
2-10 1,2 m/s & 1,7 µm 0:45
2-11 1,2 m/s & 1,5 µm 0:45
2-12 Retour Aux Paramètres Normaux de Ce CD Test / Return To Normal Parameters Of This Test CD (Voir Livret / See Booklet) 0:45
2-13 1,70 µm 0:45
2-14 1,65 µm 0:45
2-15 1,60 µm 0:45
2-16 1,55 µm 0:45
2-17 1,50 µm 0:45
2-18 Retour Aux Paramètres Normaux de Ce CD Test / Return To Normal Parameters Of This Test CD (Voir Livret / See Booklet) 0:45
Série De Tests 4 / Tests Series # 4
Capacité Du Lecteur Laser à Détecter Le Signal Numérique (Niveau de Détection Hf) - CD Player Ability To Detect The Digital Signal (Hf Detection Level)
(Pour Explications, Voir Livret Page 36 / For Explanations, See Booklet Page 60)
2-19 Très Faible Asymétrie / Very Low Asymmetry 0:45
2-20 Faible Asymétrie / Low Asymmetry 0:45
2-21 Asymétrie Moyenne / Average Asymmetry 0:45
2-22 Forte Asymétrie / High Asymmetry 0:45
2-23 Très Forte Asymétrie / Very High Asymmetry 0:45
2-24 Retour Aux Paramètres Normaux de Ce CD Test / Return To Normal Parameters Of This Test CD (Voir Livret / See Booklet) 0:45
Série De Tests 5 / Tests Series # 5
Tests de "drop-outs" / Drop-outs Tests (Absence D'informations Sur Le Disque: Rayures, Taches, Défauts de Fabrication / Absence Of Datas On The Disc: Scratches, Stains, Manufacturing Defects)
(Pour Explications, Voir Livret Page 37 / For Explanations, See Booklet Page 61)
2-25 Drop-out: 0,05mm (0,038ms) 0:45
2-26 Drop-out: 0,10mm (0,077ms) 0:45
2-27 Drop-out: 0,20mm (0,1540ms) Limite de la Norme / CD Standard Limit 0:45
2-28 Drop-out: 0,30mm (0,230ms) 0:45
2-29 Drop-out: 0,50mm (0,385ms) 0:45
2-30 Drop-out: 0,75mm (0,577ms) 0:45
2-31 Drop-out: 1,00mm (0,770ms) 0:45
2-32 Drop-out: 1,25mm (0,960ms) 0:45
2-33 Drop-out: 1,50mm (1,150ms) 0:45
2-34 Drop-out: 2,00mm (1,540ms) 0:45
2-35 Drop-out: 2,40mm (1,850ms) 0:45
2-36 Drop-out: 2,50mm (2,080ms) 0:45
2-37 Drop-out: 3,00mm (2,500ms) 0:45
2-38 Drop-out: 4,00mm (3,080ms) 0:45
2-39 Retour Aux Paramètres Normaux de Ce CD Test / Return To Normal Parameters Of This Test CD (Voir Livret / See Booklet) 0:45
Série De Tests 6 / Tests Series # 6
Tests Combinés: Variations de Taille de Drop-outs Et écart Entre Pistes Minimal / Combinated Tests: Drop-outs Size Variations And Minimum Track Pitch
Pour Explications, Voir Livret Page 39 / For Explanations, See Booklet Page 64. Toutes Ces Plages Ont Des Pistes écartées de 1,50 Micromètre. All These Selections Have A Track Pitch Of 1,50 Micrometer.
2-40 Drop-out : 1 mm 0:45
2-41 Drop-out : 1,5 mm 0:45
2-42 Drop-out : 2 mm 0:45
2-43 Drop-out : 2,4 mm 0:45
Série De Tests 7 / Tests Series # 7
Aptitude à Corriger Des Successions de Drop-out / Ability To Correct Successive Drop-outs
Pour Explications, Voir Livret Page 40 / For Explanations, See Booklet Page 64
2-44 Drop-outs : 2x0,1 mm 0:45
2-45 Drop-outs : 2x0,2 mm (Limite de la Norme / Limit Of CD Standard) 0:45
2-46 Drop-outs : 2x0,5 mm 0:45
2-47 Drop-outs : 2x1 mm 0:45
2-48 Drop-outs : 2x1,5 mm 0:45
2-49 Drop-outs : 2x2,4 mm 0:45
2-50 Drop-outs : 2x3 mm 0:45

Notes

Nous tenons à remercier M.P.O., et plus particulièrement Marc des Rieux, qui nous ont permis, grâce à leur collaboration active, efficace, et novatrice, de mener à bien ce projet de CD Test.

We are very grateful to M.P.O. (France), and especially to Marc Des Rieux, who brought us an active, efficient, and ressourceful collaboration to carry out the realization of this Test CD # 2.

© 1988 Pierre Verany. ® 1988 MPO

Barcode and Other Identifiers

  • Barcode: 3297167880317