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Caixa de Coletânea 285,241. Eletrônica 15,343,448. Various - The Birdcage (Original United Artists Motion Picture Soundtrack) (CD, Album, Comp). Selo:Cinerama Cat. nº: 0022572CIN. Condição da mídia: Mídia: Very Good Plus (VG+) Condição da Capa: Capa: Very Good (VG).
Группы Nazareth Close Enough For Rock&.Nazareth - Close Enough For Rock& (1976). Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.
program, it ain't working with their interface Man, they thought they was the hottest till the winter came All these posers make me wanna fucking suffocate, ayy Get a close up, I just gave myself another fade All the opposition always wanna run away Need a feature from me, I'ma need a hunnid K Yuh, bust down, mouth out in Venice.
There Ain't No Sanity Clause" was a single by the Damned, released in November 1980. The song was a tongue-in-cheek rock song released with an eye on the lucrative UK Christmas singles market, but failed to chart. The single was the last new material to be released by the band on Chiswick Records
Cause rock 'n' roll ain't no riddle, man. Ведь в рок-н-ролле нет никакой загадки, чувак! To me it makes good good sense. Rock 'n' roll ain't noise pollution. Рок-н-ролл – это не звуковые помехи, Rock 'n' roll it will survive. Рок-н-ролл переживет все, Yes it will. Да, это так! I took a look inside your bedroom door.
Although the chaotic sessions that spawned this album have passed into rock & roll legend and the recording's very genesis (as an out-of-court settlement between John Lennon and an aggrieved publisher) has often caused it to be slighted by many of the singer's biographers, Rock 'n' Roll, in fact, stands as a peak in his post-Imagine catalog: an album
It’s a rock ‘n’ roll album because it’s so goddamn violent. At its simplest level the album deals with the psychosis of being in a rock ‘n’ roll band and having made it as a star - and it does that better than the Who’s opus devoted exclusively to that subject, Quadrophenia. At another level it uses the relationship between a band and its audience as a metaphor for the parasitic relations between a man and a woman. Their Ain’t Too Proud to Beg is still a lover’s plea but there’s an undercurrent of resentment directed at the listener. By now, you can’t tell whether the Stones are singing about people who watch them or people they live with. That confusion is enhanced by the tightness with which the album’s producers, the Glimmer Twins, have welded it to the title track. The verses to It’s Only Rock ‘n Roll sound like an assault on the audience. If I could stick a pen in my heart/I’d spill it all over the stage.
|B||–The Veterans||There Ain't No Age For Rock'N Roll|
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