Hip-hop / Funk
Electronic / Rock
Rock / Folk and Country
Though Renegade Soundwave spent two years recording material for an album, the release of Soundclash and In Dub within six months vindicated them somewhat.
Listen free to Renegade Soundwave – Soundclash (Blue Eyed Boy, Lucky Luke and more). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.
Written-By – Renegade Soundwave. 3. On TV. Written-By – Renegade Soundwave. 4. Probably A Robbery. Soundclash (Cass, Album, Promo). Mute, Enigma Records (3). C STUMM 63, 7 75422-4.
Renegade Soundwave - Soundclash (1989). Soundclash (1989) - download the album and listen online. On this page you can listen to the album, get information about the album, see the list of songs and much more. Listen online and stay in a good mood. Org Album: Soundclash (1989).
By: Renegade Soundwave (1989, Electronic). More albums from Renegade Soundwave: The Next Chapter Of Dub by Renegade Soundwave. Howyoudoin? by Renegade Soundwave. In Dub by Renegade Soundwave. View all albums . Soundclash. By: Renegade Soundwave (1989, Electronic).
Album · 1988 · 13 Songs. Aswad, Renegade Soundwave & Brother Culture). The Next Chapter of Dub.
Renegade Soundwave's In Dub: laidback vibes from 1990. After the masterpiece of genre-splicing breaks, samples, and electronica that was their debut album, Soundclash, dance music pioneers Renegade Soundwave followed it up with a stripped back dub version. They may have lost the vocals, but the trio of Gary Asquith, Danny Briottet and Carl Bonnie certainly added some extra bite with their trailblazing work in the studio on, what is arguably their finest work, In Dub. Soundclash tracks like Pocket Porn, Traitor and Blue Eyed Boy got put through the Renegade Soundwave blender.
This album has an average beat per minute of 124 BPM (slowest/fastest tempos: 95/168 BPM). See its BPM profile at the bottom of the page. Tracklist Soundclash. 1. Blue Eyed Boy. 4'30. BPM Profile Soundclash. Album starts at 162BPM, ends at 119BPM (-43), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by Renegade Soundwave.
Renegade Soundwave’s main defining feature is their ability and their willingness to drag several different strands of dance into their sound, most obviously hip-hop. Fans of golden age rap will smile and nod with recognition. No need to bog these guys down with comparisons to the people they influenced, thoug. t a time when British music was in the doldrums and independent labels were so far out of sight that it was easy to believe that they didn’t even exist; even now, it sounds like the kind of album that could spark a movement. Nick Butler, SputnikMusic.
Recycling American hip-hop and British dub to form their own unique sound aesthetic, Renegade Soundwave cover a lot of territory on their debut album. Though the rapping is subpar, productions like the opener "Blue Eyed Boy" (featuring the same sample later used by Public Enemy for "By the Time I Get to Arizona") and their cover of the old Andy Williams classic "Can't Get Used to Losing You" reveal a solid focus on the audio terrorism possible from sampling. Soundclash also includes Renegade Soundwave's charting single "Probably a Robbery" and.
|1||Blue Eyed Boy||4:30|
|4||Probably A Robbery||4:09|
|8||Biting My Nails
Written-By – G. Waite*
|10||Can't Get Used To Losing You
Written-By – Pomus*, Shuman*
|11||Biting My Nails (Instrumental)|
|STUMM 63||Renegade Soundwave||Soundclash (LP, Album)||Mute||STUMM 63||UK||1989|
|STUMM 63||Renegade Soundwave||Soundclash (LP, Album)||Mute||STUMM 63||Italy||1990|
|C STUMM 63, 7 75422-4, 75422-4||Renegade Soundwave||Soundclash (Cass, Album, Dol)||Mute, Enigma Records , Mute||C STUMM 63, 7 75422-4, 75422-4||US||1989|
|70 753||Renegade Soundwave||Soundclash (LP, Album)||Mute||70 753||France||1989|
|7 75422-2, CD STUMM 63||Renegade Soundwave||Soundclash (CD, Album)||Enigma Records , Mute||7 75422-2, CD STUMM 63||US||1989|
Electronic / Rock
Electronic / Pop
Electronic / Jazz / Audio files