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Ray Charles - Modern Sounds In Country And Western Music album mp3

Ray Charles - Modern Sounds In Country And Western Music album mp3

  • Performer: Ray Charles
  • Genre: Funk / Blues / Folk and Country
  • Title: Modern Sounds In Country And Western Music
  • Released: 1962
  • Style: Country, Rhythm & Blues
  • Country: US
  • MP3 version size: 1548 mb
  • FLAC version size: 1928 mb
  • Other: AU APE MPC MMF VOC RA DXD
  • Rating: 4.9
  • Votes: 605

Description

Arranged By, Conductor – Gerald Wilson (tracks: A1 to A6), Marty Paich (tracks: B1 to B6) Backing Band – The Ray Charles Big Band (tracks: A1-A6) Backing.

Modern Sounds in Country & Western Music - Ray Charles. Открывайте новую музыку каждый день. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией

1996 На открытии Олимпийских игр в Атланте Рэй Чарльз исполнил свою классическую песню Georgia On My Mind.

2004 10 июня умер в возрасте 73 лет, в своём доме в Беверли-Хиллз, штат Калифорния.

Modern Sounds in Country and Western Music Volume Two is a 1962 album by Ray Charles. It is the second volume of country and western recordings by Charles following his landmark debut on ABC Records. Following the surprising success of Modern Sounds in Country and Western Music, an album of country music covers, which sold over a million copies, Charles and producer Sid Feller decided to do a follow-up.

Regarded by many critics as Charles's best studio album, Modern Sounds in Country and Western Music has been considered by several music writers to be a landmark album in American music. The album's integration of soul and country music bent racial barriers in popular music, amid the height of the Civil Rights Movement. The country album concept, however, meant more to Charles as a test of his.

Modern Sounds In Country and Western Music Tracklist. 1. Bye Bye, Love Lyrics.

Cover Variation: "Gold Record Award Audited and Certified By RIAA" seal printed next to Ray's glasses. A1: Acuff-Rose Pu. BMI A2, A5: Hill and Range Songs, In. BMI A3, B3, B6: Fred Rose Music, In. BMI A4: Melody Lane Pu. BMI A6, B1, B2: Peer International Corp. BMI B4: Tangerine Music-BMI B5: Acuff-Rose Publications-BMI. Matrix, Runout (Label side.

Ray Charles and Country’s Color Barrier. With both volumes of 1962’s ‘Modern Sounds in Country and Western Music’ being reissued, we look at the records’ cultural impact. The first Modern Sounds album topped the Billboard chart for most of the summer and fall of 1962, and its sequel climbed as high as Number Two before the year was over. The Modern Sounds albums have also proven to be among the most consequential ever released, particularly for country music. Not because any Modern Sounds singles were included on country radio playlists. The country format would remain whites only for another five years when Charley Pride became the lone exception to the segregated rule.

June 23, 1962: I Can’t Stop Loving You was sitting atop the Billboard Hot 100 for a fourth week when its parent album, Modern Sounds in Country and Western Music, followed suit and topped the Billboard album chart. It remained there for 14 weeks, becoming one of the top 100 biggest . The album is also in the Grammy Hall of Fame and, according to Dave’s Music Database, is one of the top 1000 albums of all time. While the album proved its commercial and critical clout, it was initially a risky proposition.

More than a half-century later, the premise of Ray Charles’ two-volume Modern Sounds in Country and Western Music-that is, an established R&B star makes a record of country hits-might yet inspire a spit take from the uninitiated. Alas, the uninitiated have long remained uninitiated, since these groundbreaking albums have been reissued infrequently since their 1962 release. This music remains a tribute to and rejoinder of the futile divisions we so often take for granted. Charles made headlines promoting the album with integrated shows throughout the South, refusing to perform in segregated venues. Both whites and Negroes alike have attended the same dance and actually danced together at Charles concerts, wrote the Chicago Daily Defender in November 1962 of Charles’ shows in Memphis and St. Louis. There is no race problem when he plays.

Tracklist Hide Credits

A1 Bye Bye Love
Featuring – The Raelets*Written-By – F. Bryant-B. Bryant*
2:09
A2 You Don't Know Me
Strings – Marty PaichWritten-By – C. Walker*, E. Arnold*
3:14
A3 Half As Much
Tenor Saxophone, Soloist – Don WilkersonWritten-By – C. Williams*
3:24
A4 I Love You So Much It Hurts
Arranged By – Marty PaichWritten-By – F. Tillman*
3:33
A5 Just A Little Lovin'
Arranged By – Gerald WilsonTenor Saxophone, Soloist – David "Fathead" NewmanWritten-By – E. Arnold*, Z. Clements*
3:26
A6 Born To Lose
Arranged By – Marty PaichWritten-By – F. Brown*
3:15
B1 Worried Mind
Arranged By – Marty PaichSoloist, Piano – Ray CharlesWritten-By – J. Davis*, T. Daffin*
2:54
B2 It Makes No Difference
Arranged By – Gil FullerWritten-By – J. Davis*, F. Tillman*
3:30
B3 You Win Again
Arranged By – Marty PaichWritten-By – H.Williams*
3:29
B4 Careless Love
Arranged By – Gerald WilsonWritten-By – Ray Charles
3:56
B5 I Can't Stop Loving You
Arranged By – Marty PaichWritten-By – D. Gibson*
4:13
B6 Hey, Good Looking
Soloist, Piano – Ray CharlesWritten-By – H. Williams*
2:10

Companies, etc.

  • Mastered At – Bell Sound Studios
  • Recorded At – Capitol Studios, New York City
  • Recorded At – United Recording Studios
  • Published By – Acuff-Rose Pub.
  • Published By – Hill & Range Songs, Inc.
  • Published By – Fred Rose Music, Inc.
  • Published By – Melody Lane Publishing
  • Published By – Peer International Corp.
  • Published By – Tangerine Music
  • Published By – Acuff-Rose Publications
  • Designed At – Viceroy

Credits

  • Arranged By [Big Band] – Gerald Wilson, Gil Fuller
  • Arranged By [Strings] – Marty Paich
  • Cover, Design – Flynn*
  • Engineer – Bill Putnam (tracks: A2,A4,A6, B1,B3,B5), Frank Abbey (tracks: A1,A3,A5, B2,B4,B6), Gene Thompson (tracks: A1,A3,A5, B2,B4,B6)
  • Liner Notes – Rick Ward
  • Mastered By – ƐΓ*
  • Photography By – Hugh Bell
  • Photography By [Liner] – Bob Ghiraldini
  • Producer, Recording Supervisor – Sid Feller

Notes

Mastering Credit variation from runout to Ray Charles - Modern Sounds In Country And Western Music.

ABC 410 appears on the cover and spine.
ABC-410 appears on the label.

Publishing Information:
Track A1: Acuff-Rose Pub.
Tracks A2, A5: Hill and Range Songs, Inc.
Tracks A3, B3, B6: Fred Rose Music, Inc.
Track A4: Melody Lane Pub.
Tracks A6, B1, B2: Peer International Corp.
Track B4: Tangerine Music
Track B5: Acuff-Rose Publications [Listed different than A1]

Cover, Design: Flynn/Viceroy

Barcode and Other Identifiers

  • Matrix / Runout (Etched, Runout Side A): ABC-410-A⁶-R ƐΓ
  • Matrix / Runout (Etched, Runout Side B): ABC-410-B⁶ ƐΓ
  • Matrix / Runout (Stamped, Runouts Side A & B): Bell Sound
  • Rights Society: BMI

Other versions

Category Artist Title (Format) Label Category Country Year
ABC 410, ABC-410 Ray Charles Modern Sounds In Country And Western Music ‎(LP, Album, Mono, Lam) ABC-Paramount, ABC-Paramount ABC 410, ABC-410 US 1962
T 90468, T-90468 Ray Charles Modern Sounds In Country And Western Music ‎(LP, Album, Mono, RE) ABC-Paramount, ABC-Paramount T 90468, T-90468 US Unknown
771849 Ray Charles Modern Sounds In Country And Western Music ‎(LP, Album, RE, 180) WaxTime 771849 USA & Europe 2013
ABCS 410, 841 959 BY Ray Charles Modern Sounds In Country And Western Music ‎(LP, Album) ABC-Paramount, Philips ABCS 410, 841 959 BY Netherlands 1962
PAP-S-249 Ray Charles Modern Sounds In Country And Western Music ‎(LP) Artone PAP-S-249 Netherlands Unknown

Tracklist Hide Credits

A1 Bye Bye, Love
Arranged By [Big Band] – Gerald WilsonFeaturing – RaeletsWritten-By – F. Bryant - B. Bryant*
2:09
A2 You Don't Know Me
Arranged By, Strings – Marty PaichWritten-By – C. Walker*, E. Arnold*
3:14
A3 Half As Much
Arranged By [Big Band] – Gil FullerTenor Saxophone [Tenor Sax Solo], Soloist – Don WilkersonWritten-By – C. Williams*
3:24
A4 I Love You So Much It Hurts
Arranged By – Marty PaichWritten-By – F. Tillman*
3:33
A5 Just A Little Lovin'
Arranged By [Big Band] – Gerald WilsonTenor Saxophone [Tenor Sax Solo], Soloist – David "Fathead" NewmanWritten-By – E. Arnold*, Z. Clements*
3:26
A6 Born To Lose
Arranged By, Strings – Marty PaichWritten-By – F. Brown*
3:15
B1 Worried Mind
Arranged By – Marty PaichPiano, Soloist – Ray CharlesWritten-By – J. Davis*, T. Daffan*
2:54
B2 It Makes No Difference
Arranged By [Big Band] – Gil FullerWritten-By – F. Tillman*, J. Davis*
3:30
B3 You Win Again
Arranged By – Marty PaichWritten-By – H. Williams*
3:29
B4 Careless Love
Arranged By [Big Band] – Gerald WilsonWritten-By – Ray Charles
3:56
B5 I Can't Stop Loving You
Arranged By – Marty PaichWritten-By – D. Gibson*
4:13
B6 Hey, Good Lookin'
Arranged By [Big Band] – Gerald WilsonPiano, Soloist – Ray CharlesWritten-By – H. Williams*
2:10

Companies, etc.

  • Recorded At – Capitol Studios
  • Recorded At – United Recording Studios
  • Mastered At – Bell Sound Studios
  • Record Company – ABC-Paramount Records, Inc.
  • Published By – Hill & Range Songs, Inc.
  • Published By – Fred Rose Music, Inc.
  • Published By – Melody Lane Publications, Inc.
  • Published By – Peer International Corp.
  • Published By – Tangerine Music
  • Published By – Acuff-Rose Publications

Credits

  • Arranged By [Big Band Arrangements By] – Gerald Wilson, Gil Fuller
  • Arranged By [String Arrangements By] – Marty Paich
  • Design [Cover Design] – Flynn*, Viceroy
  • Engineer [Capitol Studios] – Frank Abbey (tracks: A1, A3, A5, B2, B4, B6), Gene Thompson (tracks: A1, A3, A5, B2, B4, B6)
  • Engineer [United Recording Studios] – Bill Putnam (tracks: A2, A4, A6, B1, B3, B5)
  • Liner Notes – Rick Ward
  • Photography By – Hugh Bell
  • Photography By [Liner Photo] – Bob Ghiraldini
  • Piano, Vocals – Ray Charles
  • Producer, Recording Supervisor – Sid Feller

Notes

Tracks A1, A3, A5, B2, B4, B6 recorded at Capitol Studios, New York City, February 5 and 7, 1962.
Tracks A2, A4, A6, B1, B3, B5 recorded at United Recording Studios, Hollywood, California, February 15, 1962.

A Product of ABC-Paramount Records, Inc.

F.F.S.* - Full Frequency Stereo

A1. Acuff-Rose Pub.
A2, A5. Hill And Range Songs, Inc.
A3, B3, B6. Fred Rose Music, Inc.
A4. Melody Lane Pub.
A6, B1, B2. Peer International Corp.
B4. Tangerine Music
B5. Acuff-Rose Publications

Barcode and Other Identifiers

  • Matrix / Runout (Run-out A-side [machine-stamp], variant 1 & 3): ABCS 410 A-II Bell Sound
  • Matrix / Runout (Run-out B-side [machine-stamp], variant 1): ABCS 410 B-1 I Bell Sound
  • Matrix / Runout (Run-out A-side [machine-stamp (- II etched)], variant 2): ABCS 410 A-1 - II Bell Sound
  • Matrix / Runout (Run-out B-side [machine-stamp], variant 2): ABCS 410 B Bell Sound o
  • Matrix / Runout (Run-out B-side [machine-stamp (- III etched)], variant 3): ABCS 410 B III Bell Sound
  • Matrix / Runout (Run-out A-side [machine-stamp], variant 4): ABCS 410 A - 2 - Ⅳ - 4 Bell Sound
  • Matrix / Runout (Run-out B-side [machine-stamp], variant 4): ABCS 410 B-2 Bell Sound
  • Matrix / Runout (Run-out Both Sides [etched], variants 1 & 2): LW
  • Rights Society: BMI

Other versions

Category Artist Title (Format) Label Category Country Year
ABC 410, ABC-410 Ray Charles Modern Sounds In Country And Western Music ‎(LP, Album, Mono, Lam) ABC-Paramount, ABC-Paramount ABC 410, ABC-410 US 1962
T 90468, T-90468 Ray Charles Modern Sounds In Country And Western Music ‎(LP, Album, Mono, RE) ABC-Paramount, ABC-Paramount T 90468, T-90468 US Unknown
771849 Ray Charles Modern Sounds In Country And Western Music ‎(LP, Album, RE, 180) WaxTime 771849 USA & Europe 2013
ABCS 410, 841 959 BY Ray Charles Modern Sounds In Country And Western Music ‎(LP, Album) ABC-Paramount, Philips ABCS 410, 841 959 BY Netherlands 1962
PAP-S-249 Ray Charles Modern Sounds In Country And Western Music ‎(LP) Artone PAP-S-249 Netherlands Unknown

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